Who is Adam Brody married to?

Adam Brody, widely recognized for his roles in The OC, Gilmore Girls, and more
recently, Nobody Wants This, is married to Leighton Meester. Leighton is best
known for her portrayal of Blair Waldorf in Gossip Girl.

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How long have Adam Brody and Leighton Meester been together?

Adam and Leighton first met in 2007, thanks to Josh Schwartz, the producer of both The OC and Gossip Girl. One evening, at a dinner for Gossip Girl, Adam happened to be in the same restaurant, and Josh introduced him to everyone, including Leighton. However, nothing significant transpired between them that night.

Their friendship blossomed when they were cast in the 2011 film The Oranges, although at that time, Adam was in a relationship with someone else. In a 2021 interview with Anna Faris on her Unqualified podcast, Adam shared, “We didn’t get together until about a year after that movie when I was single.”

Adam and Leighton’s relationship was not made public until early 2013, when they were spotted together on several occasions. They officially debuted as a couple in June 2013 at the premiere of Adam’s film Some Girl(s).

On February 15, 2014, Adam and Leighton got married in a private ceremony. The couple welcomed their first child, a daughter named Arlo Day Brody, in 2015. In 2020, the couple welcomed their second child, a son, whose name Adam and Leighton have not publicly disclosed.

The most adorable moments by adam brody and Leighton meester

Adam and Leighton are usually private about their relationship, but they’ve shared some sweet moments with fans over the years:

1. In February 2024, they attended the 30th Annual SAG Awards together.
2. Leighton laughed warmly at Adam during the Shazam! Fury of the Gods premiere in 2023.
3. In 2019, Leighton posted a red carpet photo on Instagram, calling Adam “my hero.”
4. They were all smiling at the StartUp premiere after-party in 2016.
5. Their first public appearance after their wedding was at the 2014 Tony Awards, looking like a happy bride and groom.

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American audiences will witness Ora’s debut behind the panelists’ table as “The Masked Singer” returns on Wednesday at 8 p.m. ET on Fox. The show commences with Ora performing The Who’s “Who Are You?” — one of the iconic “Masked Singer” themes.

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This season of “The Masked Singer” will showcase themed episodes such as “The Wizard of Oz,” commemorating the 85th anniversary of the classic film; “Transformers,” honoring the brand’s 40th anniversary, and musical tributes like “Billy Joel Night” and “Queen Night.” Other themes include “Girl Groups,” “Soundtrack of My Life,” “TV Theme Night,” and “Shower Anthems.”

“The Masked Singer” is produced by Fox Alternative Entertainment and executive produced by showrunner James Breen, Craig Plestis, and Nick Cannon. The show is adapted from the South Korean format originated by Mun Hwa Broadcasting Corp.

The post Rita Ora Discusses Key Contrasts in Judging ‘The Masked Singer’ Between the U.K. and U.S. Versions (EXCLUSIVE) appeared first on CelebBuddy.

Sting and The Undertaker embodied characters rich in mystique, making their potential showdown a once-in-a-lifetime spectacle. Sting envisioned it as a memorable night that fans would talk about for years. Despite his retirement from AEW Revolution, the dream match remained out of reach.

Sting’s journey through NWA, WCW, TNA, and AEW showcased his commitment to his character. He eventually joined WWE in hopes of realizing the dream match. Although he faced Triple H and Seth Rollins, the encounter with The Undertaker remained elusive.

Unfortunately, the stars never aligned for Sting and The Undertaker to face off. With Sting at 64 and Undertaker at 58, their wrestling days may be behind them. Despite the missed opportunity, Sting believed that their match would have been a spectacle, enhanced by their iconic personas and mystique.

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Reflecting on his career, Sting expressed his desire for the dream match, emphasizing its significance to him. While the match never materialized, the prospect alone would have satisfied him.

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BritBox, priced at $9.99 per month (or $99.99 per year), provides access to series such as Doctor Who, Emmerdale, and Five by Five. This March, the service will introduce new content including Agatha Christie’s Murder is Easy, Catch Me a Killer, Trial and Retribution seasons 1-22, and more.

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BritBox is schedule March 2024 Announced

March 1st: Agatha Christie’s Murder is Easy — BritBox Original

March 4th: Catch Me A Killer: Season 1

March 8th: The Helen West Casebrook

March 11th: The Governor: Season 1-2

Trial and Retribution: Seasons 1-22

March 15th :

• Killer Net — BritBox Exclusive
• Mind Games — BritBox Exclusive
• Supply and Demand: Seasons 1-2 — BritBox Exclusive

March 20th: Holloway: Women Behind Bars

March 22nd: No Offence: Season 3

March 27th: Time: Season 2

March 2024: Gardener’s World 2024

The post Check out the latest additions to BritBox for March 2024! appeared first on CelebBuddy.

McSweeney’s lawsuit claims that it’s an open secret for Bravo’s figurehead, Andy Cohen, to allegedly partake in cocaine with a select group of his favorite “Real Housewives” stars, offering special professional favors to those who join his personal party circle.

Moreover, the documents allege that the network is aware of a senior producer who reportedly sends unsolicited genitalia pictures to lower-level production employees, yet higher-ups have failed to address the issue.

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A post shared by Leah McSweeney (@leahmob)

Leah McSweeney, aged 41, makes shocking claims in a lawsuit against the network, alleging that Bravo exploited her alcohol issues, either by exacerbating them intentionally or by obstructing her from seeking assistance, all in a cynical bid to boost ratings.

The fashion designer, known for her appearances on two seasons of the flagship show “The Real Housewives of New York City” and one season of the spin-off “Real Housewives: Ultimate Girls Trip,” contends that the network violated her employment rights by denying her proper care for her alcohol addiction, despite being aware of the issue.

McSweeney asserts that producers went so far as to “pressure her” into drinking, despite her efforts to quit.

She is seeking unspecified damages. A representative for Andy Cohen stated to Page Six: “The claims against Andy are completely false.”

The revelation surfaces just days after fellow “Real Housewives” star Brandi Glanville alleged in a legal letter that an “obviously inebriated” Cohen sexually harassed her, expressing his desire to “sleep with another Bravo star” while “thinking” of Glanville and inviting her to observe over FaceTime.

(Cohen has stated that the comment was intended “in jest” but admitted that it was “inappropriate.”)

McSweeney’s lawsuit, while arguing that the network fosters a culture that “thrives off drug and alcohol use,” alleges that Cohen, aged 55 and serving as an executive producer of “RHONY” and “RHUGT,” while also hosting Bravo’s late-night show “Watch What Happens Live,” “indulges in cocaine use with Housewives that he employs” and that “Cohen’s inclination for cocaine usage with his employees is widely known throughout the Real Housewives franchise.”

“In fact,” assert the documents filed in the Southern District of New York, “Cohen tends to offer more favorable treatment and portray Housewives who indulge in cocaine use with him in a more agreeable light in edits of their shows.”

The document refrains from naming the specific “Housewives” cast members involved.

In the court documents, McSweeney’s formidable legal team asserts that “Cohen deliberately engages in cocaine use with his employees to perpetuate a workplace environment that encourages drug and alcohol consumption, ultimately resulting in a failure to support employees who are disabled and striving for sobriety.”

Meanwhile, the filings state that a producer employed by Shed Media, responsible for producing “RHONY” and “RHUGT,” among other “Real Housewives” series, “regularly sends unsolicited genitalia pictures to lower-level production employees.”

McSweeney is taking legal action against Cohen and Bravo under the Disabilities Act, contending that they neglected to provide reasonable accommodations for alcohol use disorder.

The lawsuit also alleges that despite Bravo and Shed being aware or should be aware of the producer’s sexual harassment, they continue to promote the producer to positions of increased authority.

These claims are part of McSweeney’s lawsuit because her legal team argues in the court documents that “by failing to take appropriate corrective measures, Bravo and Shed implicitly convey to the producer and all other employees that they can engage in unlawful employment practices without consequence.”

The post According to bombshell claims in Leah McSweeney’s lawsuit, Andy Cohen allegedly indulges in cocaine alongside a close circle of favorite ‘Housewives’ appeared first on CelebBuddy.

On the third day of Milan Fashion Week, the fashion enthusiasts braved the rain, traffic congestion, and a local transport strike, all in pursuit of the latest trends. By late afternoon, shows were running an hour behind schedule due to the challenges faced by the fleet of black sedans, shuttles, and taxis trying to keep up with the runway pace. However, Donatella Versace restored order by starting her evening show promptly on time.

GUCCI Fashion SPARKLES

Sabato De Sarno subtly infused his second Gucci womenswear collection with a touch of sparkle while continuing to shape the fashion house’s new aesthetic. The collection features seemingly simple silhouettes like belted coats, apron rompers, and plunging neck-line tunics that exude both sensuality and strength, showcasing glimpses of leg paired with the season’s latest equestrian boots that rise just above the knee.

Long outerwear pieces, layered over short-shorts and basic corsets, are adorned with sequins and crystal beading, creating an ombre effect. They seamlessly transition into sequined shifts, halter cocktail dresses, delicate slip dresses, and cozy knitwear.

The collection also embraces no-pants looks, emphasizing the elegance of mini peacoats, bombers, and knitwear, along with this season’s footwear, including platform variations of the signature loafers. Gucci’s new oxblood red hue serves as the anchor for a bold color palette featuring navy, mustard, olive green, and aubergine. One of the standout pieces is a striking wavy oxblood-and-black intarsia leather jacket.

The collection didn’t flaunt Gucci with bold logos and recognizable motifs; instead, it whispered the brand’s essence through what the show notes described as “a series of subtle rebellious acts.”

De Sarno promised details that could only be fully appreciated when worn — such as hidden buttoning in the back of coats “that envelops them in an embrace” — or seen up close, like a geometric heron concealed within a jacquard pattern.

In the closing ensemble, a deep slit in a long wool sheath allowed the model to stride confidently, echoing De Sarno’s own confidence.

Kirsten Dunst, Julia Garner, and Solange Knowles secured front row seats, joined by De Sarno’s parents, who were the first to rise for a standing ovation.

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VERSACE PUNK ROCKS

The Versace runway was infused with punk energy, evident in the pulsating music, the nostalgic black-and-red check patterns, and the edgy spiky hairstyles sported by the models.

Donatella Versace maintained an electrifying vibe with deep, revealing slits adorning long clingy dresses, mod high-neck mini dresses, and animal print bodysuits paired with matching tights. The collection showcased synchronicity with menswear through complementary leather, tweed, and leather looks for both men and women.

Versace favorite Gigi Hadid graced the runway in a fitted navy midi dress, accentuated by a sheer blouse with a sweetheart neckline.

SUNNEI’S RUMINATIONS

Sunnei’s runway show unfolded without a soundtrack; instead, the interior monologues of models reverberated over the sound system as they gracefully walked across custom carpets adorned with the designers’ signature stripes.

Simone Rizzo and Loris Messina’s latest collection showcased enveloping puffer coats with a golden sheen, soft knitwear, octopus-shaped hoods, and oversized denim combinations. The highlight of the collection was looks crafted from carpets produced onsite by the cc-tapis design company. Models shared introspective thoughts about their next plate of pasta, shrugged off untimely itches, and pondered the role of fashion amidst global conflicts.

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